Amy Adams to Star in Ron Howard’s ‘Hillbilly Elegy’ at Netflix


Amy Adams is set to star in Netflix’s adaptation of “Hillbilly Elegy,” which Ron Howard is on board to direct, Variety has learned.

“Shape of Water” screenwriter Vanessa Taylor adapted the script, with Howard, Brian Grazer, and Karen Lunder producing for Imagine Entertainment. Julie Oh and J.D. Vance will exec produce.

Based on Vance’s bestselling memoir, the pic is a modern exploration of the American dream and follows three generations of an Appalachian family as told by its youngest member, a Yale law student forced to return to his hometown.

Imagine has been developing the movie since 2017 when it acquired the rights. Netflix boarded the project in January after winning a heated bidding war to finance the $45 million feature.

Adams had a busy 2018, starting with her role in the HBO limited series “Sharp Objects,” which earned her a Golden Globe nomination. She followed that up with her Oscar-nominated performance as Lynne Cheney in the Dick Cheney biopic “Vice.”

She can seen be next in the adaptation of the New York Times bestseller “Woman in the Window,” which co-stars Julianne Moore and is directed by Joe Wright. She is repped by WME, Brillstein Entertainment, attorneys Jason Sloane and Harris Hartman, and Narrative PR.

Amy Adams attends the Deadline Contenders Emmy Event

Amy Adams stepped out for the Deadline Contenders Emmy Event at Paramount Theater in Los Angeles on Sunday.

The 44-year-old beauty was a vision in royal blue as she graced the carpet at the stellar event.  

Adams, who does double duty as actor and an executive producer on the HBO miniseries Sharp Objects, struggled on the panel to talk about the challenges of portraying the story’s main character, emotionally troubled (to put it mildly) newspaper reporter Camille Preaker.

“When this came across my desk, it terrified me. (I thought) I should probably explore this,” Adams said.

Quick background; Sharp Objects is based on the bestselling book by Gone Girlauthor Gillian Flynn about a reporter, just out from a stay at a psychiatric hospital, who is ordered by her tough editor to return to her small hometown to report on the murders of two preteen girls. Marti Noxon, who wrote the final script, serves as showrunner and writer. Noxon, Flynn and Jean-Marc Vallée also serve as executive producers and Vallée directs.

“I think her relationship with her family and her history, her past is very complicated, and the town has its own history that needs to be resolved in the course of the show,” Adams said. She added that most audience members will be able to relate to the idea of returning to one’s past: “Hers is just very, very extreme,” Adams said.

Adams appeared on the panel, moderated by Pete Hammond, with Vallée, who directed all episodes as he did for HBO series Big Little Lies, starring Nicole Kidman and Reese Witherspoon. The pair come to the project with a history. The worked together for some seven years to develop a Janis Joplin biopic that never came to fruition.

A big challenge for the creative team was figuring out how to get inside Camille’s head without the benefit of a narrator in the style of the book.  Said Vallée: “I was surprised (the writers didn’t want to go with a voice-over… that’s suicide, no? They are going to compare the series to the book and we are going to get f–ked.” However, the director said the team found ways to express the character’s inner trauma.

Small spoiler alert: One of those ways is through Camille’s behavior of cutting words into her body, through which an audience gets insight into her thoughts. Shooting these scenes required Adams to spend two to four hours virtually naked for the makeup and the prosthetic process.

“I had to stand just literally naked, and that isn’t a natural place for me,” Adams joked. “I used that vulnerability as part of getting into the character.”

She added with a laugh: “We would do scarves over key places. It was all Kosher.”

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Appearances & Public Events > 2019 > April 07: Deadline Contenders Emmy Event in Los Angeles

Amy Adams Sets First-Look Deal at HBO, to Develop ‘Poisonwood Bible’ Limited Series


Amy Adams and her manager Stacy O’Neil are launching a new production company that has secured a first-look deal at HBO, Variety has learned.

The new company is called Bond Group Entertainment, with Kathleen Clifford set to serve as vice president of TV development for the company. Clifford was previously the director of original programming for Starz and prior to that was at Grady Girl Productions, Legendary Entertainment, and ICM.

The first project to be developed under the first-look deal will be an adaptation of the Barbara Kingsolver novel “The Poisonwood Bible.” The story follows Orleanna Price, the wife of an evangelical missionary who takes her and their four daughters to the Belgian Congo in the midst of colonial upheaval in 1959. Adams and O’Neil will executive produce, with Anya Epstein and Kingsolver set to write and executive produce.

“The Poisonwood Bible” was published in 1998 and was a finalist for the Pulitzer Prize for fiction in 1999.

This marks just the second project that Adams has produced in her career. The six-time Oscar nominee previously executive produced and starred in the recent HBO miniseries “Sharp Objects,” for which she was nominated for a Golden Globe. “Sharp Objects” was itself based on the Gillian Flynn novel of the same name. She was also nominated for an Oscar and Golden Globe for her role in the 2018 film “Vice.”

Adams is repped by WME, Brillstein Entertainment Partners, and Sloane Offer.

Adams’ company’s new deal also comes just one day after it was announced that “Silicon Valley” co-creator and showrunner Mike Judge had renewed his overall deal at the premium cabler in addition to setting up two new comedy projects with production commitments.

Amy Adams attends the Vanity Fair Oscar Party!

Amy Adams attended 2019 Vanity Fair Oscar Party at the Wallis Annenberg Center for the Performing Arts on Sunday (February 24) in Beverly Hills, Calif.

The actress was joined at the event by her husband Darren Le Gallo.

Amy was nominated for her sixth Oscar that evening, but sadly she went home empty handed yet again.

She was is wearing an Alexandre Vauthier dress.

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Appearances & Public Events > 2019 > February 24: Vanity Fair Oscar Party in Beverly Hills

Photoshoots > 2019 > #004 Vanity Fair Oscar Portrait by Mark Seliger

Amy Adams attends the 91st Annual Academy Awards!

Amy Adams attended the 91st Annual Academy Awards on Sunday (February 24) at the Dolby Theatre in Los Angeles.

The actress was nominated this evening for her work in Vice. That was actually Amy’s sixth Oscar nomination.

Adams was wearing an Atelier Versace white dress, Christian Louboutin shoes, Cartier jewelry, and a Versace clutch.

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Appearances & Public Events > 2019 > February 24: 91st Annual Academy Awards in Beverly Hills – Arrivals

Appearances & Public Events > 2019 > February 24: 91st Annual Academy Awards in Beverly Hills – Inside

LA Times: Amy Adams’ strong voice — in song, at home and in ‘Vice’


Amy Adams could chase a bear out of her backyard using just a broomstick. That’s what filmmaker Adam McKay believes at least, and he’s worked with Adams at the beginning of her career (“Talladega Nights”) and most recently in “Vice,” so he should know something, right?

McKay is also certain that Adams could load a shotgun and take aim at thieves who’ve come calling. McKay envisions this scenario happening at a log cabin. Adams may or may not be wearing a bonnet.

Adams has no idea what to make of this, but if she had to guess, she thinks McKay sees her as some sort of founding mother of America, a homesteading pioneer, probably because all her relatives were tough, sturdy Mormons settling in Utah and Colorado.

But Adams will readily agree with McKay, saying that if a bear did indeed wander into her backyard and threaten her family, she would grab a broomstick or a curtain rod or whatever was handy and chase it off.

I’m someone who responds well in an emergency,Adams says, sipping a matcha tea hopped up with a shot of espresso on a secluded West Hollywood cafe patio. “Post-emergency? That’s another thing. I’d be great in the moment and then not sleep for a year.

Adams describes herself as a very nervous person, though you’d be hard-pressed, outside of some fidgeting, to detect any hint of anxiety. But it’s there, she says. She often doesn’t remember performing. Like, she could tell you about being backstage at the Oscars in 2008 and then coming offstage, but she completely blacked out while she was singing the nominated “Happy Work Song” from “Enchanted.” She’s so focused on the doing that it obliterates the act.

Part of that erasure comes from a desire for immediacy and surprises in her acting. In “Vice,”Adams plays Lynne Cheney, a strong Wyoming woman who’s first introduced in the film berating her high school sweetheart, Dick Cheney (Christian Bale), after another one of his drunken escapades. Originally in the film, this scene came after 20 minutes of Lynne and Dick — played by other actors — in high school, laying the groundwork for Lynne’s laser-focus. McKay cut that, letting Adams launch the movie with gale-force power.

No one reads the riot act quite like Amy,” says filmmaker Paul Thomas Anderson, who cast Adams as the steely Peggy Dodd in his 2012 film, “The Master.” “She can deliver these sorts of moments and let you know that life would be so much easier if you would just follow her instructions.

McKay calls that intro scene “the whole movie.” Even in the Cheney family’s own mythology, Lynne telling Dick that she’ll leave him if he doesn’t, in the film’s words, “stand up straight and get some courage and make something of yourself” is what put Dick on the road to becoming the most powerful vice president in the history of the U.S.

And, thinking about it, McKay says Adams’ performance in that scene has a lot in common with her big moment in their first collaboration, “Talladega Nights,” where Adams’ character tells Will Ferrell’s race car driver Ricky Bobby that he’s a doer, not a thinker, and he needs to “harness his fear, wrestle it to the ground like a demon cobra,” and win … WIN!

In both scenes, it’s that badass, strong American woman making the American man be a man,” McKay says.

Ooooh … I’ll take that,Adams says, hearing McKay’s interpretation. When she watches that “Talladega Nights” scene, though, what she remembers is that she added “Tawny Kitaen” to the part at the end, where she’s crawling across the restaurant table, whipping her hair like Kitaen did in that Whitesnake music video.

I think there was somewhere in my youth where there was this fantasy of being a music video girl, like that would have been the dream,Adams says, laughing.

Adams did absorb all the lyrics to those ’80s music videos, as well as the songs her singer father would belt out around the house, along with all the music her six siblings loved, turning her into a “crazy encyclopedia of words” capable of serenading the “Vice” set nonstop between takes, all the while staying in the voice of Lynne Cheney. McKay included a clip of Adams as Lynne singing “Bohemian Rhapsody” in a reel he showed at the movie’s wrap party.

I loved singing as Lynne,Adams says, demonstrating this love by launching into AC/DC’s “You Shook Me All Night Long,” singing the couplet “she was a fast machine/she kept her motor clean” with a clipped, vowel-flattening accent that’s absolutely perfect. Adams had planned on going into a recording studio before the holidays to record an album, “Lynne Cheney Sings Christmas Songs,” to give to McKay. She may still follow through.

Adams found her connection to Cheney not through song — she has no idea what kind of music Cheney likes, though she guesses it’s not heavy metal — but in an early, improvised scene where she’s talking to Dick on the phone while holding infant daughter Mary. Adams didn’t want to play Cheney as a political animal. This brief moment where she’s trying to figure out why her mac and cheese isn’t working flipped a switch in Adams’ head, moving her to base her performance, in part, on her scrappy grandmother.

Adams, 44, ended up seeing “Vice” for the first (and only) time with her own mother, who loved the movie, telling Adams that Lynne was her favorite character of any she’s ever portrayed.

I think that’s because my mom’s a tough cookie, so she has that in common with Lynne,Adams says. “She told me, and I loved this, ‘I know so many women like Lynne who have used their energy to push their husbands forward.’ And I think she saw something she could admire in that.

Not that Adams could fully relate to Cheney, particularly when it comes to parenting. Early in the movie, the Cheneys’ young daughters, Liz and Mary, visit Dick after he becomes Gerald Ford’s chief of staff. When he playfully answers Mary’s questions about the White House (“Is this where Santa lives?”), Lynne admonishes him, saying, “If you’re silly with her, she’ll grow up to be a silly woman.

I’m a silly woman,Adams says. “I’m so silly with my daughter, I think it aggravates her at this point. I might raise a serious daughter just because she doesn’t want to be like me.”

And although there is no reason to doubt that Adams is indeed silly with her precocious 8-year-old daughter, Aviana, who has her mother’s fair features and thick, wavy hair, there is also another side to her that seems more prevalent. For starters, at Avi’s school, Adams is known as the “un-fun mom.” Not because she isn’t pleasant and courteous and cooperative, but because she’s the one the other parents call upon when order needs to be restored.

We were at an outing with a bunch of kids from the school, and a couple of kids were really misbehaving and standing on tables,Adams says. “So Avi was standing up on the bench, too, which she normally wouldn’t do, but all the other girls were doing it, and I said, ‘You need to sit down on your rear end, or you’re going to leave the table.’ And she sat down, and then I saw her getting up, and I said, ‘OK, here’s what’s going to happen. Worse than leaving the table: I’m going to sit at the table and I’m going to sing show tunes.’

Avi did not stand up on the table again.

Mostly, though, Adams finds herself appreciating her daughter’s thoughtfulness and maturity, sometimes to the point of wonder. Last month as Adams was getting ready to go to the Screen Actors Guild Awards, Avi approached her and said, “You know, Mom, you already won the award of ‘best mom,’ so it doesn’t matter if you win or lose.’”

Nominated both for “Vice” and for her lead role in the HBO limited series “Sharp Objects,” Adams came away empty that night.

She wasn’t bothered at all.

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Photoshoots > 2019 > #003 The Los Angeles Times

Amy Adams attends the BAFTA Awards!

Amy Adams attended the 2019 EE British Academy Film Awards on Sunday (February 10) at Royal Albert Hall in London, England.

The actress was nominated for Best Actress in a Supporting Role for her work in the movie Vice.

Adams was wearing a Prada bespoke gown and shoes, a William & Son clutch, and Cartier jewelry.

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Appearances & Public Events > 2019 > February 10: EE British Academy Film Awards in London

Appearances & Public Events > 2019 > February 10: EE British Academy Film Awards in London – Inside